Listen to kakasitsi below on the plater. Select your track and press play Kakatsitsi are a group of traditional drummers, dancers and singers from the Ga tribe of Southern Ghana, with their roots in the fishing community of Jamestown, the part of Accra where the British based their colonial headquarters. Their music takes traditional rhythms and chants from their own Ga tradition and those of a variety of other West African cultures, rearranging them in a modern and accessible way. Since 1996, Kakatsitsi have toured the UK 7 times, working with a wide variety of festivals, arts centres and local authorities. The recent addition of a strong dance element, to complement the already outstanding drumming and singing components, has established Kakatsitsi as the leading African traditional group in the UK, with the leading Ga singers, drummers and dancers among their number. Ideal for festivals, carnivals, street performances or village halls, Kakatsitsi can adapt to most environments. Seen live, they show culture as it is meant to be celebrated, breaking down the barriers between audience and performers by encouraging the active participation of the people in the celebration, whether on the drums, chanting or dancing. Recorded music is all very well, but with traditional music and dance the measure of the performance is in the involvement of the people in the spirit of the occasion. Kakatsitsi’s music combines traditional drumming grooves played on a wide variety of West African drums with melodies from bamboo flutes, xylophone and traditional chants sung in six part harmony, the quality of which sets them above most dance-led traditional African groups. The group have developed a particularly strong educational dimension, whereby they visit local schools or youth & community centres in the week running up to a performance to teach a few simple rhythms, chants and dances. They then invite the children along to the final performance, where they join in with a final communal finalé, demonstrating what they have learned during the week. As well as fulfilling an important outreach and therefore marketing role for the performance, it also facilitates an all-important participatory component that helps generate the sense of community that is the inherent function of music and dance in traditional societies. Kakatsitsi first visited the UK from June-December 1996, visiting a number of festivals with the EcoTrip DIY Cultural Caravan, a travelling edutainment roadshow with strong links to the environmental movement. Their appearance at Return to the Source, the pioneering trance club, introduced them to club culture and paved the way for a session in the studio with Medicine Drum, the trance-percussion fusion outfit. Later in the year, members of Kakatsitsi also played percussion on “Journey Between’ by Baka Beyond, a popular Afro-Celtic fusion group. In 1997 and 1998 Kakatsitsi’s efforts to return to the UK to build on the success of 1996 were frustrated by the obstruction of immigration officials at the British High Commission in Accra who, concerned at the shoe-string nature of the 1996 tour, refused to grant the musicians permission to enter the country. While this cost the group’s management company dearly, the opportunity was taken to revamp the membership of the group and to record the group’s debut album – Etso Mia Dogo (We will see you tomorrow). Recorded live in a garden in the Accra suburb of Osu, the recording features the occasional sound of the resident chickens as well as occasional sardonic references to the High Commission staff who were causing the group so many problems. In 1999, after an extensive campaign in which 16 MPs lobbied the Foreign Office and the High Commission to allow the group to travel, Kakatsitsi returned to the UK and immediately re-established themselves. Focussing particularly on the educational dimension of their work, in which they conduct a series of workshops prior to a performance in which the students join the group on stage, Kakatsitsi developed a formula and a track record of success. Highlights included an appearance at Glastonbury, where they led the fire rituals to honour Jean Eavis in the Stone Circle and the London ‘Big Time’ Millennium Celebrations. The subsequent 2000 tour saw Kakatsitsi return with an expanded group. Establishing a web presence for the first time, Kakatsitsi were encouraged to see one of the tracks off Etso Mia Dogo, ‘Adele’, stay at no.1 in the African music charts on MP3.com for 24 days. The 2001 UK tour provided further recognition of the power of Kakatsitsi’s music and presence. After leading a small procession in Oxford in support of the Drop the Debt Campaign, Kakatsitsi attended the G8 summit in Genoa in July, performing in a church service and entertaining the protestors. One of the only representatives of the developing world, they went some way at least in fostering a carnival atmosphere of peaceful protest. During October, Black History Month, they visited 23 schools in the London Borough of Hammersmith and Fulham, culminating in an event at the Town Hall in which many of the schools presented a performance of the rhythms, dances and chants learned with the drummers during the week. In 2002, Kakatsitsi once again toured the UK with Red Centre Dreaming, an Aboriginal performance company, on the Ancestral Voices tour. Funded by the Arts Council of England, the tour developed a unique fusion set between the tribal dance cultures of Ghana and Australia, performing at festivals and arts centres from Inverness in Scotland to Bodmin in Cornwall. With support from a grant from North-West arts, Kakatsitsi and Red Centre Dreaming were also able to develop a second ground-breaking fusion project combining the organic, human sounds of traditional drumming and chanting with the pulsating energy of Western dance music.Building on their track record of success, particularly in the educational realm, Kakatsitsi’s 2003 UK tour saw them complete acclaimed projects with a wide variety of local authority partners. The highlight of the year, however, was a 7 week tour of Scotland, culminating in a week in Dundee developing a fusion set with some local traditional musicians, paving the way for future collaborations. During 2004, Kakatsitsi have taken time off from touring to focus on developing new work and spent 3 months in Ghana, where they were developing a fusion project with western dance music producer Greg Hunter, supported by a development grant from the Arts Council of England. In 2005, Kakatsitsi returned for another UK wide tour, the highlight of which was performing an opening ceremony at the Make Poverty History festival in Edinburgh before leading the march around the city. An impromptu performance for Gordon Brown at a Christian Aid rally led to them collaborating with Bob Geldof to lead a reverential moment on the morning of the G8 summit. 2006 saw Kakatsitsi further develop their relationship with western club culture by performing at the ground-breaking Synergy Project and Kalahari club nights, developing a global dance production featuring Banco de Gaia, Gaudi’s Live Dub Laboratory, DJ Monkey Pilot (Whirl-y-Gig) and Youth (Dragonfly Records), against a decorative backdrop of fabrics from Mali and Ghana. Indigenous People are currently exploring the possibility of touring the Kalahari Project in the summer and autumn of 2008, including a fusion set between Banco de Gaia and the San Bushmen of the Kalahari, Kakatsitsi’s club fusion set with Greg Hunter and a selection of London’s finest world-dance DJs, against a backdrop of multi-media projections exploring the social origins of traditional and western dance cultures.
Kakatsitsi are a group of traditional drummers, dancers and singers from the Ga tribe of Southern Ghana, with their roots in the fishing community of Jamestown, the part of Accra where the British based their colonial headquarters.
Their music takes traditional rhythms and chants from their own Ga tradition and those of a variety of other West African cultures, rearranging them in a modern and accessible way. Since 1996, Kakatsitsi have toured the UK 7 times, working with a wide variety of festivals, arts centres and local authorities. The recent addition of a strong dance element, to complement the already outstanding drumming and singing components, has established Kakatsitsi as the leading African traditional group in the UK, with the leading Ga singers, drummers and dancers among their number.
Ideal for festivals, carnivals, street performances or village halls, Kakatsitsi can adapt to most environments. Seen live, they show culture as it is meant to be celebrated, breaking down the barriers between audience and performers by encouraging the active participation of the people in the celebration, whether on the drums, chanting or dancing. Recorded music is all very well, but with traditional music and dance the measure of the performance is in the involvement of the people in the spirit of the occasion. Kakatsitsi’s music combines traditional drumming grooves played on a wide variety of West African drums with melodies from bamboo flutes, xylophone and traditional chants sung in six part harmony, the quality of which sets them above most dance-led traditional African groups.
The group have developed a particularly strong educational dimension, whereby they visit local schools or youth & community centres in the week running up to a performance to teach a few simple rhythms, chants and dances. They then invite the children along to the final performance, where they join in with a final communal finalé, demonstrating what they have learned during the week. As well as fulfilling an important outreach and therefore marketing role for the performance, it also facilitates an all-important participatory component that helps generate the sense of community that is the inherent function of music and dance in traditional societies.
Kakatsitsi first visited the UK from June-December 1996, visiting a number of festivals with the EcoTrip DIY Cultural Caravan, a travelling edutainment roadshow with strong links to the environmental movement. Their appearance at Return to the Source, the pioneering trance club, introduced them to club culture and paved the way for a session in the studio with Medicine Drum, the trance-percussion fusion outfit. Later in the year, members of Kakatsitsi also played percussion on “Journey Between’ by Baka Beyond, a popular Afro-Celtic fusion group.
In 1997 and 1998 Kakatsitsi’s efforts to return to the UK to build on the success of 1996 were frustrated by the obstruction of immigration officials at the British High Commission in Accra who, concerned at the shoe-string nature of the 1996 tour, refused to grant the musicians permission to enter the country. While this cost the group’s management company dearly, the opportunity was taken to revamp the membership of the group and to record the group’s debut album – Etso Mia Dogo (We will see you tomorrow). Recorded live in a garden in the Accra suburb of Osu, the recording features the occasional sound of the resident chickens as well as occasional sardonic references to the High Commission staff who were causing the group so many problems.
In 1999, after an extensive campaign in which 16 MPs lobbied the Foreign Office and the High Commission to allow the group to travel, Kakatsitsi returned to the UK and immediately re-established themselves. Focussing particularly on the educational dimension of their work, in which they conduct a series of workshops prior to a performance in which the students join the group on stage, Kakatsitsi developed a formula and a track record of success. Highlights included an appearance at Glastonbury, where they led the fire rituals to honour Jean Eavis in the Stone Circle and the London ‘Big Time’ Millennium Celebrations.
The subsequent 2000 tour saw Kakatsitsi return with an expanded group. Establishing a web presence for the first time, Kakatsitsi were encouraged to see one of the tracks off Etso Mia Dogo, ‘Adele’, stay at no.1 in the African music charts on MP3.com for 24 days.
The 2001 UK tour provided further recognition of the power of Kakatsitsi’s music and presence. After leading a small procession in Oxford in support of the Drop the Debt Campaign, Kakatsitsi attended the G8 summit in Genoa in July, performing in a church service and entertaining the protestors. One of the only representatives of the developing world, they went some way at least in fostering a carnival atmosphere of peaceful protest. During October, Black History Month, they visited 23 schools in the London Borough of Hammersmith and Fulham, culminating in an event at the Town Hall in which many of the schools presented a performance of the rhythms, dances and chants learned with the drummers during the week.
In 2002, Kakatsitsi once again toured the UK with Red Centre Dreaming, an Aboriginal performance company, on the Ancestral Voices tour. Funded by the Arts Council of England, the tour developed a unique fusion set between the tribal dance cultures of Ghana and Australia, performing at festivals and arts centres from Inverness in Scotland to Bodmin in Cornwall. With support from a grant from North-West arts, Kakatsitsi and Red Centre Dreaming were also able to develop a second ground-breaking fusion project combining the organic, human sounds of traditional drumming and chanting with the pulsating energy of Western dance music.
During 2004, Kakatsitsi have taken time off from touring to focus on developing new work and spent 3 months in Ghana, where they were developing a fusion project with western dance music producer Greg Hunter, supported by a development grant from the Arts Council of England.
An impromptu performance for Gordon Brown at a Christian Aid rally led to them collaborating with Bob Geldof to lead a reverential moment on the morning of the G8 summit.
2006 saw Kakatsitsi further develop their relationship with western club culture by performing at the ground-breaking Synergy Project and Kalahari club nights, developing a global dance production featuring Banco de Gaia, Gaudi’s Live Dub Laboratory, DJ Monkey Pilot (Whirl-y-Gig) and Youth (Dragonfly Records), against a decorative backdrop of fabrics from Mali and Ghana. Indigenous People are currently exploring the possibility of touring the Kalahari Project in the summer and autumn of 2008, including a fusion set between Banco de Gaia and the San Bushmen of the Kalahari, Kakatsitsi’s club fusion set with Greg Hunter and a selection of London’s finest world-dance DJs, against a backdrop of multi-media projections exploring the social origins of traditional and western dance cultures.
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